Mother (2009) [Blu-ray]
Crime | Drama | Mystery | Thriller
Tagline: She'll stop at nothing.
Mother is a devoted single parent to her simple-minded twenty-seven-year-old son, Do-joon. Often a source of anxiety to his mother, Do-joon behaves in foolish or simply dangerous ways. One night, while walking home drunk, he encounters a school girl who
he follows for a while before she disappears into a dark alley. The next morning, she is found dead in an abandoned building, and Do-joon is accused of her murder. An inefficient lawyer and an apathetic police force result in a speedy conviction. His
mother refuses to believe her beloved son is guilty and immediately undertakes her own investigation to find the girl's killer. In her obsessive quest to clear her son's name, Mother steps into a world of unimaginable chaos and shocking revelations.
A slow burning thriller that rewards the viewer
User Comment: sitenoise from http://sitenoise-atthemovies.blogspot.com/, 30 September 2009 • It's too bad that because this film is ostensibly about an old lady it must be considered a "smaller" film in Bong's oeuvre. It's not.
It is every bit as brilliant, and as large, as Memories of Murder, in my opinion.
In many ways this is the natural, and equal, follow-up to Memories of Murder. It's every bit the caper film that one was, and, although slightly more somber in tone, the film keeps unraveling in directions you don't expect making it much more a plot
driven movie than a character study. Kim Hye-ja is, however, magnificent as the titular (gawd I hate that word but I'm using it anyway) mother. There is a scene in this film where she tells the family of the victim her son didn't do it and her eyes are so
electrically charged it made me jump back from the screen. Mother fires on all cylinders. The direction, cinematography, script, and acting are all grade A. It's one of those films where each of the secondary characters steals the show for a brief period.
(How 'bout that cop who kicks the apple from Won Bin's mouth?) Bong does a remarkable job of populating the world of this film with real people and manages to give them depth and development in a very short period of time. I confess to having a little
trouble tracking the other female characters in the film, but no matter. There is a scene (without spoiling anything here) where Kim Hye-ja asks the other 'retarded' kid if he has a mother and it's one of the most complex and heart-rending scenes in
cinematic history. Hyperbole notwithstanding, just freakin' WOW! on that one when you ponder just why she is crying.
I wasn't sure where Bong was going to end up going as a film maker. Barking Dogs Never Bite was a reasonable debut. Memories of Murder, a masterpiece. But was it a lucky shot? I'm glad I don't have to consider the dismal Antarctic Journal a Bong film if I
don't want to. The Host was lots-o-fun, but that's the one that worried me. Maybe he was going to start making blockbuster type films. But now, after recently seeing his contribution to Tokyo!, and now Mother, I have every reason to believe he is going to
kick my butt with interesting film for a long time.
Summary: No idea this film would end up the way it did (and I'm not telling).
[CSW] -4- Many of the Korean movie plots like those for Lady Vengeance, Oldboy and now Mother take you places that you never expected to go. And like many of the Alfred Hitchcock plots, they take sudden unexpected twist and turns that
give you an unexpected but exhilarating rollercoaster ride. Well worth the watching.
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